@wordsbykristin: These Indie Labels Are Offering Songwriters Points on Every Master

To try to alleviate some of the strain facing songwriters, three small independent labels – [Justin] Tranter’s Facet Records, The Other Songs and Good Boy Records – have made a new pledge they hope will catch on: giving songwriters a percentage of master royalties— or “points” — on every single record.

“We didn’t feel like the industry was changing fast enough to fix this,” says Billy Webber, co-founder of London-based indie label The Other Songs, which has Ren, Navy and SUPER-Hi on its roster. His company, founded alongside brother Alastair Webber, started first as a series of events, offering songwriters the chance to perform their unused pitch songs in front of a crowd of publishers and advertisers. From the start, Webber says, they knew they wanted to not only take care of their artists, but also to look after the writers behind their records.

Read the post on Billboard

It’s 1999 all over again…or maybe 2009. John Naughton on the long arm of Silicon Valley

Remember this?

No place for Joe

Professor John Naughton writes a column for The Guardian about technology and humans. This week he writes “Europe’s AI crackdown looks doomed to be felled by Silicon Valley lobbying power” which is a good bookend to my MTP post about Eric Schmidt bragging he got the UK prime minister to “take the bait” of the Biden Administration’s artificial intelligence executive order that Schmidt & Co. apparently wrote. Mr. Naughton addresses AI legislation in Brussels, the capitol of the European Union and “Silicon Valley’s” lobbying power. Given Eric Schmidt’s history in Brussels when he was at Google (and successfully led Google’s acquisition team that acquired the competition authority for the European Union) my suspicion is that it’s really Google or Schmidt’s investment arm that’s actually doing the lobbying but I take Professor Naughton’s meaning.

Professor Naughton tells us that:

Wednesday [tomorrow] will be a fateful day in Brussels, a faraway city of which post-Brexit Britain knows little and cares less. It’s the day on which the EU’s AI proposals enter the final stages of a tortuous lawmaking process. The bill is a landmark (first in the world) attempt to seriously regulate artificial intelligence (AI) based on its capacity to cause harm and will soon be in the final phase of the legislative process – so-called “trilogues” – where the EU parliament, commission and council decide what should be in the bill, and therefore become part of EU law. Big day, high stakes, in other words.

And almost certain to be knocked down by Mr. Schmidt & Co. given that they can waive their recently acquired US executive order around as bait. The stakes are very high given the expense of hiring the coders who train the AI with massive datasets. Which naturally means that companies like Google and Microsoft can’t “afford” to pay for millions of copyrights they use to train. Kind of like Spotify can’t afford to pay artists fairly given the rent on World Trade Center.

These systems are astonishingly expensive to train and build: salaries for the geeks who work on them start at Premier League striker level and go stratospheric (with added stock options); a single 80GB Nvidia Hopper H100 board – a key component of machine-learning hardware – costs £26,000, and you need thousands of them to build a respectable system. Not surprisingly, therefore, there are only about 20 firms globally that can afford to play this game. And they have money to burn.

It was looking for a while like Europe would set an example to the world for how to regulate AI. That is, before Eric Schmidt wrote Joe Biden’s executive order because we can’t wait around for Congress to act like those stuffy Europeans. Once that idea sank in, Schmidt got right on it.

Suddenly, the French, German and Italian governments combined to advocate less intrusive regulation of foundation models. According to these three musketeers, what Europe needs is a “regulatory framework which fosters innovation and competition, so that European players can emerge and carry our voice and values in the global race of AI”. And so the right approach is not to impose legal regulation on the (mostly American) companies dominating the AI racket, but to allow self-regulation through “company pledges and codes of conduct”.

Now, son of a bitch, where have we heard that before?

Read the post on The Guardian.

@danieltencer: 3 OBSERVATIONS ON… THE SALE OF BMI (AND GOOGLE’S ENTRANCE INTO MUSIC RIGHTS MANAGEMENT)

Yet there’s another aspect of the New Mountain deal that is already drawing significant attention: it will see Alphabet Inc., the parent company of Google and YouTube, acquire a minority stake in BMI via its independent growth fund, CapitalG.

The fact this news emerged just two days before MBW uncovered Google’s recent submission to the US Copyright Office – in which the Big G argues that the ingestion of copyrighted music into generative AI platforms is “fair use” – tells its own story.

Read the post on Music Business Worldwide

@MLC_US in the News: The fingerprints on a letter to Congress about AI @BrendanBordelon

[Editor Charlie sez: Politico uncovers hanky lanky by a lawyer for the Digital Licensee Coordinator actively working against creators. Nice to know an MLC board member’s Revolving Doorman may be giving the true indication of who butters the bread. This isn’t us saying it, it’s not MTP or the Trichordist saying it–this time, kids, it’s in Politico, the Billboard of the Washington smart people, aka your betters in the Imperial City.]

The message in the open letter sent to Congress on Sept. 11 was clear: Don’t put new copyright regulations on artificial intelligence systems.

The letter’s signatories were real players, a broad coalition of think tanks, professors and civil-society groups with a stake in the growing debate about AI and copyright in Washington.

Undisclosed, however, were the fingerprints of Sy Damle, a tech-friendly Washington lawyer and former government official who works for top firms in the industry — including OpenAI, one of the top developers of cutting-edge AI models. Damle is currently representing OpenAI in ongoing copyright lawsuits.

Read the post on Politico

Will Sunlight Win at the Copyright Royalty Board in Big Tech’s Latest Credibility Debacle? — Music Technology Policy

The Copyright Royalty Judges stand up to the most dangerous corporations in the world and demand transparency in streaming mechanical rate “settlements.”

Will Sunlight Win at the Copyright Royalty Board in Big Tech’s Latest Credibility Debacle? — Music Technology Policy