As someone who grew up in San Francisco and wrote the book on the shady history of Silicon Valley — I simply can’t let this go. I mean, check it out: Turns out that the guy running to unseat Nancy Pelosi from “the left” is a corporate Silicon Valley astroturfer from the Electronic Frontier Foundation.
His name is Shahid Buttar.
Why is this significant? EFF is America’s oldest and most influential internet business lobby — an organization that has played a pivotal role in shaping the internet as it exists today. That privatized telecommunication system that’s owned by giant monopolies, powered by for-profit surveillance and influence ops, dominated by spies, and lacking any democratic oversight? Yep, that one. EFF is directly responsible for bringing it into being — and for making sure it stays privatized, shitty, and oligarchic.
As I wrote in my massive investigation into EFF’s shady history and it’s pro-Silicon Valley astroturf tricks for The Baffler a few years back, this organization has done an amazing job convincing us that it’s one of the good guys on the Internet — that it’s grassroots and on the side of the people. In reality, EFF has always been on the side of corporations, fighting against democratic control of Silicon Valley — from making sure ISPs could grow into giant monopolies to blowing up the first (and only) attempt to regulate Google’s surveillance business model back in 2004.
[Editor Charlie sez: Practically the same lineup that attacked Mississippi Attorney General Jim Hood for trying to make Google come clean about violating the Controlled Substances Act in breach of both their NonProsecution Agreement and their shareholder lawsuit settlement.]
“I’ve never seen pushback in such a fashion before,” Terry Schilling, executive director of the American Principles Project, told NBC News.
NBC News reports that:
‘Every one of those think tanks and advocacy groups is backed by Google, Facebook or both:
TechFreedom, a tech-focused Washington nonprofit…the Electronic Frontier Foundation, a tech-focused civil liberties nonprofit…Engine Advocacy, an organization that advocates for policies that help startups…the Computer & Communications Industry Association [the main trade association for Big Tech]…Those concerns were echoed by a litany of conservative and libertarian-leaning think tanks. Libertarian think tank R Street…the Competitive Enterprise Institute, another conservative think tank, the Cato Institute, the American Enterprise Institute, and Americans for Prosperity lambasted the proposal too, calling it “the latest potential disaster” that “would blow up the internet.”‘
As usual, Henry gives an extremely relevant and literate dissertation on the loss of humanity imposed on us by Big Brother’s youngest sibling, Mark Zuckerberg–the boy who wouldn’t grow up, but who instead created an app for Room 101.
Please listen to T Bone when you have a quiet hour to yourself.
[Editor Charlie sez: As David Lowery says, democracy dies in botness. Even Spotify apologists are skeptical of the Google-backed Pirate Party tactics.]
Before attention formally returns to the draft European Copyright Directive next month, the Pirate Party’s representative in the European Parliament – Julia Reda – is hoping to get opponents to the more controversial elements of the proposals out onto the streets.
The copyright reforming directive has been in development for years, of course. For the wider music industry, the focus has been article thirteen, which seeks to increase the liabilities of user-upload platforms like YouTube….
Since the vote, the music industry has been very critical of tactics employed by the tech lobby, and especially big bad Google, in the weeks prior to the vote. Their campaigning, it’s argued, misrepresented what article thirteen is really about. Meanwhile opponents presented themselves as mere concerned internet users – when many were in fact funded by billion dollar tech giants – and used technology to artificially amplify their voice.
David Lowery’s The Trichordist website has run a number of articles exploring these tactics, all of which make for very interesting reading. Meanwhile The Times reported earlier this month how “Google is helping to fund a website that encourages people to spam politicians and newspapers with automated messages backing its policy goals”.
The newspaper put the spotlight on an organisation called OpenMedia, which counts Google as a platinum supporter, and which was also analysed by The Trichordist.
The Times wrote: “The campaigning site is intended to amplify the extent of public support for policies that benefit Silicon Valley”, before confirming that “the tools were recently used to bombard MEPs with phone calls opposing EU proposals to introduce tighter online copyright rules”….
While calling on people to join these protests, [Pirate] Reda has also hit out at the claims that automated tools – like those offered by OpenMedia – were used to make it look like opposition to the copyright directive was much more widespread than it really is.
She recently wrote on her blog: “We haven’t won yet. After their initial shock at losing the vote in July, the proponents of upload filters and the ‘link tax’ have come up with a convenient narrative to downplay the massive public opposition they faced. They’re claiming the protest was all fake, generated by bots and orchestrated by big internet companies”.
She went on: “According to them, Europeans don’t actually care about their freedom of expression. We don’t actually care about EU lawmaking enough to make our voices heard. We will just stand idly by as our internet is restricted to serve corporate interests. People across Europe are ready to prove them wrong: they’re taking the protest to the streets”. [Nobody said that, the Times and Trichordist just said that there were campaigning tools paid for by Google to create a false impression.]
We all learn about the world through the prism of our own stories. The reason I rage against formats so much is because I don’t fit in any.
Modern America is the king of labeling. It is impossible to get through to the public interface without learning how to squeeze yourself into one of the predefined shapes, leaving the least possible amount of torn raw flesh and blood at the knives of public perception.
What kind of music do you play? What race are you? Who did you vote for? Are you with us, or are you against us?
The interface pulses and dances to the beat of the dollar – primarily – as well as the peer pressure, and it evolves with time. But the principle of the Holy Algorithm remains.