[Editor Charlie sez: The popular rage against Spotify is setting in.]
ON WEDNESDAY, MAY 29, The Baffler’s ongoing event series for the generally disaffected and pissed off, The Bad Society, continues with a concert at Murmrr Ballroom in Brooklyn featuring music from Xenia Rubinos, Public Practice, and Blood Club—along with a panel on the shitscape of the music streaming economy led by Liz Pelly and featuring David Turner and Xenia Rubinos. (You can still snag a ticket here.)
In advance of the concert, Liz Pelly and Liana Hell Lean of Blood Club and the hardcore outfit Decisions dropped by our gleefully dyspeptic radio program The Bad Society to talk with host Zach Webb about the unrepentant joy of scorning Spotify, punk rock’s obsession with Instagram, and working toward a better DIY scene on the archipelago of overpriced trash islands known as New York. While this interview has been drastically edited for length and clarity, you can listen to the whole broadcast—featuring an eclectic caboodle of tunes selected by Hell Lean from the likes of the queen of Cambodian rock, Ross Sereysothea, to the thundering punk rock of Eteraz—here.
Read the post on the Baffler
Several major companies have reportedly pulled advertisements on YouTube following a report that the comment sections on the site have been used to facilitate “a soft-core pedophile ring.”
Bloomberg News reported Wednesday that Walt Disney Co. has joined Nestle and video game maker Epic Games in pulling advertising from YouTube, days after a YouTube user named Matt Watson uploaded a video explaining how YouTube comment sections are used to identify and share exploitative videos of young girls.
Watson said in his video that YouTube’s algorithm has helped facilitate the ability of pedophiles to trade social media contacts, provide links to “actual child porn” and trade “unlisted videos in secret.”
Bloomberg News cited “people with knowledge of the matter” in reporting that Disney has since withheld its advertising spending from YouTube.
Read the post on The Hill
The EU has finally settled on the wording of its Digital Single Market copyright reform package, a three-years-in-the-making effort, greeting the agreement with a sizzling rebuke of the “misinformation campaigns” around the measures….
In a press conference today announcing the measures, MEP and Conservative legal affairs spokesman Sajjad Karim said the process had highlighted a disturbing development in the “political culture”.
“The ability of some of the platforms to carry out campaigns [against the legislation] is a good thing,” Karim said. “But the way some of these have been carried out really has been against the grain of how a democratic society should function.”
Individual staff members had been targeted, he said, by “elements that have misled the public about what we’re trying to achieve, and we’re sure will mislead the public as to what we have actually achieved. It strengthens our resolve to make sure we don’t allow European citizens to fall victim to that sort of misinformation.”
Read the post on The Register
In other news from the Goolag, if you’ve been following the battle over the European Parliament’s passing of the new Copryight Directive, one of the core group of Members of the European Parliament who helped get the legislation passed was the Green Party’s Helga Truepel. As David Lowery notes in this post on The Trichordist and in many other posts, Big Tech misused political communication tools to spam Members of the European Parliament with the hope of tricking them into thinking that there were actual constitutents who opposed the new Copyright Directive.
Remember that there have been two votes, with yesterday’s victory being the second vote. Our side lost the first vote following the first astroturf spam campaign. But–not only did Google get called out about it in The Trichordist, the London Times, FAZ and a bunch of other publications also confirmed David’s research. Did that stop Google? Nope. They did it again in the run up to yesterday’s vote. As Blake Morgan often says, Goliath never learns.
In a press conference at the European Parliament after yesterday’s vote, MEP Truepel answered a question from a journalist seeking an explanation of why the vote changed so radically–dozens of MEPs actually switched their votes to pass the Directive yesterday.
MEP Truepel said that she thought it was because MEPs were pissed off by the Google-backed astroturf campaign that was so offensively transparent–but not in a good way–that massively backfired on Google. Of course, not only has it backfired, but Google (and, in fairness, Facebook) was exposed as the prime mover behind the attack, which came right before the European Commission announced yet another multi-billion fine against Google for violating European competition law.
MEP Truepel also announced that she was going to meetings at the Googleplex–aka Spamalot–in the near future to discuss the role of Google in Europe. Oh, that should just be a bunch of LOLs.
Start at 14:45:10 You HAVE to watch this. When asked why EU Parliament switched from opposing the copyright directive to overwhelmingly supporting it, German MEP Helga Truepel pulls no punches: “I think it’s due to this message spamming campaign. I talked to some of my collegues here [and they] are totally pissed off […]
via “Totally Pissed Off” By Big Tech Spam EU Gives Artists A Copyright Victory — The Trichordist
Networked Propaganda Online activists and lobbyists are using digitally manipulated protests and misinformation to fight a copyright reform in Europe. They know what they are doing. Do Members of the European Parliament know what this is about? A guest commentary. Translated from original German text: http://www.faz.net/aktuell/feuilleton/debatten/von-lobbiysten-die-das-urheberrecht-bekaempfen-15773233.html “History doesn’t repeat itself, it just writes the bill,” […]
via Networked Propaganda- Guest Post by Stefan Herwig. — The Trichordist