@kellymakena: New bill would ban autoplay videos and endless scrolling

Snapstreaks, YouTube autoplay, and endless scrolling are all coming under fire from a new bill, which is sponsored by Sen. Josh Hawley (R-MO), targeting the tech industry’s “addictive” design.

Hawley’s Social Media Addiction Reduction Technology Act, or the SMART Act, would ban these features that work to keep users on platforms longer, along with others, like Snapstreaks, that incentivize the continued use of these products. If approved, the Federal Trade Commission and Health and Human Services could create similar rules that would expire after three years unless Congress codified them into law.

“Big tech has embraced a business model of addiction,” Hawley said. “Too much of the ‘innovation’ in this space is designed not to create better products, but to capture more attention by using psychological tricks that make it difficult to look away.”

Read the post on The Verge

[Editor Charlie sez:  Remember “Nicotine is not Addictive” Senator Wyden?  Here’s your chance to reprise your role in the consumer protection movie.]

Wyden Tobacco

 

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Zuck, is that you?

@akarl_smith: After years of big spending, tech’s political machine turns to high gear

[Editor Charlie sez:  Practically the same lineup that attacked Mississippi Attorney General Jim Hood for trying to make Google come clean about violating the Controlled Substances Act in breach of both their NonProsecution Agreement and their shareholder lawsuit settlement.]

“I’ve never seen pushback in such a fashion before,” Terry Schilling, executive director of the American Principles Project, told NBC News.

NBC News reports that:

‘Every one of those think tanks and advocacy groups is backed by Google, Facebook or both:

TechFreedom, a tech-focused Washington nonprofit…the Electronic Frontier Foundation, a tech-focused civil liberties nonprofit…Engine Advocacy, an organization that advocates for policies that help startups…the Computer & Communications Industry Association [the main trade association for Big Tech]…Those concerns were echoed by a litany of conservative and libertarian-leaning think tanks. Libertarian think tank R Street…the Competitive Enterprise Institute, another conservative think tank, the Cato Institute, the American Enterprise Institute, and Americans for Prosperity lambasted the proposal too, calling it “the latest potential disaster” that “would blow up the internet.”‘

Read the post on NBC News

EFF Shill

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PK Google Shills

@DarrenLoucaides: HOW THE EU’S FAR RIGHT WILL BOOST GOOGLE, FACEBOOK, AND AMAZON

[Editor Charlie sez:  Spoiler alert!  The answer is “Yes”!]

With right-wing populists expected to make big gains overall in the European elections, further legislation to rein in Silicon Valley could struggle to pass. In recent months, EU leaders have discussed imposing new digital taxes on the revenues of Big Tech companies; those efforts might not find support among Europe’s new parliamentarians. And the EU’s incipient antitrust crackdown against Big Tech—which now involves probes of Amazon and Google—could face stumbling blocks. Could Big Tech find itself depending on the votes of far-right, populist politicians to defend its corner?

Read the post on Wired

Facebook and the Enemy Within: T-Bone Burnett’s Keynote at SXSW 2019

As usual, Henry gives an extremely relevant and literate dissertation on the loss of humanity imposed on us by Big Brother’s youngest sibling, Mark Zuckerberg–the boy who wouldn’t grow up, but who instead created an app for Room 101.

Please listen to T Bone when you have a quiet hour to yourself.

@cmu: As Copyright Directive campaigning starts up again, article thirteen opponents stung by London Times investigation plan to take to the streets

[Editor Charlie sez:  As David Lowery says, democracy dies in botness.  Even Spotify apologists are skeptical of the Google-backed Pirate Party tactics.]

Before attention formally returns to the draft European Copyright Directive next month, the Pirate Party’s representative in the European Parliament – Julia Reda – is hoping to get opponents to the more controversial elements of the proposals out onto the streets.

The copyright reforming directive has been in development for years, of course. For the wider music industry, the focus has been article thirteen, which seeks to increase the liabilities of user-upload platforms like YouTube….

Since the vote, the music industry has been very critical of tactics employed by the tech lobby, and especially big bad Google, in the weeks prior to the vote. Their campaigning, it’s argued, misrepresented what article thirteen is really about. Meanwhile opponents presented themselves as mere concerned internet users – when many were in fact funded by billion dollar tech giants – and used technology to artificially amplify their voice.

David Lowery’s The Trichordist website has run a number of articles exploring these tactics, all of which make for very interesting reading. Meanwhile The Times reported earlier this month how “Google is helping to fund a website that encourages people to spam politicians and newspapers with automated messages backing its policy goals”.

The newspaper put the spotlight on an organisation called OpenMedia, which counts Google as a platinum supporter, and which was also analysed by The Trichordist.

The Times wrote: “The campaigning site is intended to amplify the extent of public support for policies that benefit Silicon Valley”, before confirming that “the tools were recently used to bombard MEPs with phone calls opposing EU proposals to introduce tighter online copyright rules”….

While calling on people to join these protests, [Pirate] Reda has also hit out at the claims that automated tools – like those offered by OpenMedia – were used to make it look like opposition to the copyright directive was much more widespread than it really is.

She recently wrote on her blog: “We haven’t won yet. After their initial shock at losing the vote in July, the proponents of upload filters and the ‘link tax’ have come up with a convenient narrative to downplay the massive public opposition they faced. They’re claiming the protest was all fake, generated by bots and orchestrated by big internet companies”.

She went on: “According to them, Europeans don’t actually care about their freedom of expression. We don’t actually care about EU lawmaking enough to make our voices heard. We will just stand idly by as our internet is restricted to serve corporate interests. People across Europe are ready to prove them wrong: they’re taking the protest to the streets”.  [Nobody said that, the Times and Trichordist just said that there were campaigning tools paid for by Google to create a false impression.]

Read the post on Complete Music Update

@TessaMakesLove: Branding and Algorithms: Raging Against the Format

We all learn about the world through the prism of our own stories. The reason I rage against formats so much is because I don’t fit in any.

Modern America is the king of labeling. It is impossible to get through to the public interface without learning how to squeeze yourself into one of the predefined shapes, leaving the least possible amount of torn raw flesh and blood at the knives of public perception.

What kind of music do you play? What race are you? Who did you vote for? Are you with us, or are you against us? 

The interface pulses and dances to the beat of the dollar – primarily – as well as the peer pressure, and it evolves with time. But the principle of the Holy Algorithm remains.

Read the post on Tessa Fights Robots

@neilturkewitz: Disruption, Fear and Slippery Slopes: Baby Steps in Building a Better Internet

The biggest story of 2017? To my mind, there is no contest — the broad emergence of an awareness that the irresponsibility masquerading as Internet freedom represented a threat to global societies and to cherished aspects of our humanity, and that a course correction was badly needed.

While recognition of the fact that rewarding lack of accountability would likely incentivize anti-social and illegal conduct took longer than it should have, such an awareness came to fruition throughout 2017. Whether motivated by concerns about sex trafficking or the prevalence of other internet-enabled crimes, fake news, foreign government interference in elections, monopoly or monopsony power, or the perceived political or cultural biases of platforms, the question at the end of 2017 wasn’t whether the current legal framework for platform responsibility should be amended, but how.

It became clear that the twin pillars upholding the current lack of accountability in the internet ecosystem — Section 230 of the Communications Decency Act and Section 512 of the DMCA, each of which was adopted at the dawn of the commercial internet, would need to be reexamined and a new framework established.

Read the post on Medium