If you ever thought we were too aggressive in our campaign to end the 15 year freeze on statutory royalties for physical, consider the situation of songwriter Hugh Prestwood and his wife, photojournalist Judy Ahrens. Songwriters and photographers are two occupations that are devastated by the digital blight that has visited apocalyptic devastation on creators.
As Hugh says in their GoFundMe page, his songwriting income was destroyed by the massive change in the economics of songwriting that split apart the album format with no commensurate increase in songwriter royalties. Songs became a major driver of wealth for hardware manufacturers and Internet providers (remember dancing cows chanting rip, mix, burn?) in the 2000s, and streaming drives wealth for catalogs and platforms. The doubling effect of Moore’s Law imposes a halving effect on creator royalties. Hugh and Judy are living proof of what happens to an aging population of creators who could not have possibly planned around the digital blight–other than learning to code, I guess.
Of course we want to encourage readers to contribute what you can to Hugh and Judy’s GoFundMe, but we also want to make a larger point.
The Copyright Royalty Judges need to understand that there are real consequences to real people when they freeze mechanical royalties. While the Judges are not responsible for all the harms that accrue to songwriters in the rigged statutory licensing and royalty scheme, they do play a part and they can make a difference. Songwriters may not expect the Judges to fix their problems, but they do expect them not to make it worse. Freezing rates for 15 years makes it worse.
The Judges should also understand that they have an opportunity to do something to add fairness back into the system that the Judges effectively control. Creators like Hugh and Judy will never appear in their courtroom alongside the well-heeled lobbyists and lawyers who make millions off of the rate proceedings and the black box in what has become a laughingstock.
Congress, too, needs to listen up. It is well past time for a songwriter advocate to be a permanent part of the Copyright Royalty Board proceedings for mechanical royalty rate settings. A songwriter advocate would speak for people like Hugh and Judy. As Linda said of Willie Lohman in Death of a Salesman, “Attention must be paid.” I’m not asking that songwriters should be able to overrule the lobbyists, although that’s not a bad idea.
But at least hear them out before they’re all gone.
As someone who grew up in San Francisco and wrote the book on the shady history of Silicon Valley — I simply can’t let this go. I mean, check it out: Turns out that the guy running to unseat Nancy Pelosi from “the left” is a corporate Silicon Valley astroturfer from the Electronic Frontier Foundation.
His name is Shahid Buttar.
Why is this significant? EFF is America’s oldest and most influential internet business lobby — an organization that has played a pivotal role in shaping the internet as it exists today. That privatized telecommunication system that’s owned by giant monopolies, powered by for-profit surveillance and influence ops, dominated by spies, and lacking any democratic oversight? Yep, that one. EFF is directly responsible for bringing it into being — and for making sure it stays privatized, shitty, and oligarchic.
As I wrote in my massive investigation into EFF’s shady history and it’s pro-Silicon Valley astroturf tricks for The Baffler a few years back, this organization has done an amazing job convincing us that it’s one of the good guys on the Internet — that it’s grassroots and on the side of the people. In reality, EFF has always been on the side of corporations, fighting against democratic control of Silicon Valley — from making sure ISPs could grow into giant monopolies to blowing up the first (and only) attempt to regulate Google’s surveillance business model back in 2004.
Read the post on Yasha Levine’s blog
Several major companies have reportedly pulled advertisements on YouTube following a report that the comment sections on the site have been used to facilitate “a soft-core pedophile ring.”
Bloomberg News reported Wednesday that Walt Disney Co. has joined Nestle and video game maker Epic Games in pulling advertising from YouTube, days after a YouTube user named Matt Watson uploaded a video explaining how YouTube comment sections are used to identify and share exploitative videos of young girls.
Watson said in his video that YouTube’s algorithm has helped facilitate the ability of pedophiles to trade social media contacts, provide links to “actual child porn” and trade “unlisted videos in secret.”
Bloomberg News cited “people with knowledge of the matter” in reporting that Disney has since withheld its advertising spending from YouTube.
Read the post on The Hill
We all learn about the world through the prism of our own stories. The reason I rage against formats so much is because I don’t fit in any.
Modern America is the king of labeling. It is impossible to get through to the public interface without learning how to squeeze yourself into one of the predefined shapes, leaving the least possible amount of torn raw flesh and blood at the knives of public perception.
What kind of music do you play? What race are you? Who did you vote for? Are you with us, or are you against us?
The interface pulses and dances to the beat of the dollar – primarily – as well as the peer pressure, and it evolves with time. But the principle of the Holy Algorithm remains.
Read the post on Tessa Fights Robots