[Editor Charlie sez: And Google is opposing the Stop Enabling Sex Traffickers legislation?]
Major companies have suspended advertising campaigns on YouTube after their ads were displayed with videos depicting children in threatening situations—while the tech giant investigates ‘disturbing’ autofill results that users flagged over the weekend.
The Wall Street Journal reports that Mars Inc., Adidas and Diageo, maker of spirits including Tanqueray and Captain Morgan, have suspended their advertising on YouTube.
The videos were highlighted in a BuzzFeed report that described a “vast, disturbing, and wildly popular universe of videos” that included live-action footage of children depicted in compromising situations. YouTube took down some videos and responded by saying it would do a better job of enforcing its community guidelines.
Dozens of users have also claimed that YouTube’s autofill results include phrases that promote pedophilia—for example, typing “how to have” into the search box brought up “how to have s*x with your kids.”
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[Editor Charlie sez: And then Google shares the YouTube revenue with terrorists, neo-Nazis and illegal drug purveyors….]
The music business is a tough place for most artists to make money. This struggle was thrown into sharp relief last week when the UK industry revealed that artists earned more from vinyl sales in 2016 than they did from YouTube payments for viewings of music videos.
The BPI, the record labels’ association that promotes British music, says this is the latest example of YouTube exploiting the “value gap” between what it makes from online advertising shown around music videos and what finds its way to the artists’ pockets.
As if to add insult to injury, news of the paltry level of payouts came a day after figures showed that Google, and subsidiary YouTube, took home the lion’s share of the £10bn spent on internet advertising in the UK last year. BPI figures show UK vinyl sales growing for the ninth consecutive year in 2016, to a 25-year high of 3.2m units – driven by Blackstar, the final album by the late David Bowie – and making £41.7m for record labels and artists. By contrast, music video streaming, which is dominated by YouTube, funnelled just £25.5m to the industry.
“YouTube’s holding company [Google] can’t really have a motto ‘Do The Right Thing’ then pay one-seventh of the rates other streaming services pay,” said Allen Kovac, who has managed bands including the Bee Gees, Mötley Crüe and Blondie. “Moreover, Google drives audiences to YouTube, which devalues artists’ music. That’s a win-win for them, but a colossal loser for artists.”
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