@cmu: As Copyright Directive campaigning starts up again, article thirteen opponents stung by London Times investigation plan to take to the streets

[Editor Charlie sez:  As David Lowery says, democracy dies in botness.  Even Spotify apologists are skeptical of the Google-backed Pirate Party tactics.]

Before attention formally returns to the draft European Copyright Directive next month, the Pirate Party’s representative in the European Parliament – Julia Reda – is hoping to get opponents to the more controversial elements of the proposals out onto the streets.

The copyright reforming directive has been in development for years, of course. For the wider music industry, the focus has been article thirteen, which seeks to increase the liabilities of user-upload platforms like YouTube….

Since the vote, the music industry has been very critical of tactics employed by the tech lobby, and especially big bad Google, in the weeks prior to the vote. Their campaigning, it’s argued, misrepresented what article thirteen is really about. Meanwhile opponents presented themselves as mere concerned internet users – when many were in fact funded by billion dollar tech giants – and used technology to artificially amplify their voice.

David Lowery’s The Trichordist website has run a number of articles exploring these tactics, all of which make for very interesting reading. Meanwhile The Times reported earlier this month how “Google is helping to fund a website that encourages people to spam politicians and newspapers with automated messages backing its policy goals”.

The newspaper put the spotlight on an organisation called OpenMedia, which counts Google as a platinum supporter, and which was also analysed by The Trichordist.

The Times wrote: “The campaigning site is intended to amplify the extent of public support for policies that benefit Silicon Valley”, before confirming that “the tools were recently used to bombard MEPs with phone calls opposing EU proposals to introduce tighter online copyright rules”….

While calling on people to join these protests, [Pirate] Reda has also hit out at the claims that automated tools – like those offered by OpenMedia – were used to make it look like opposition to the copyright directive was much more widespread than it really is.

She recently wrote on her blog: “We haven’t won yet. After their initial shock at losing the vote in July, the proponents of upload filters and the ‘link tax’ have come up with a convenient narrative to downplay the massive public opposition they faced. They’re claiming the protest was all fake, generated by bots and orchestrated by big internet companies”.

She went on: “According to them, Europeans don’t actually care about their freedom of expression. We don’t actually care about EU lawmaking enough to make our voices heard. We will just stand idly by as our internet is restricted to serve corporate interests. People across Europe are ready to prove them wrong: they’re taking the protest to the streets”.  [Nobody said that, the Times and Trichordist just said that there were campaigning tools paid for by Google to create a false impression.]

Read the post on Complete Music Update

@zeynep: It’s the (Democracy-Poisoning) Golden Age of Free Speech

 

russia_medvedev_facebook_zuck
Emporers Zuck and Medvedev

 

For most of modern history, the easiest way to block the spread of an idea was to keep it from being mechanically disseminated. Shutter the news­paper, pressure the broad­cast chief, install an official censor at the publishing house. Or, if push came to shove, hold a loaded gun to the announcer’s head….

In today’s networked environment, when anyone can broadcast live or post their thoughts to a social network, it would seem that censorship ought to be impossible. This should be the golden age of free speech….

And sure, it is a golden age of free speech—if you can believe your lying eyes. Is that footage you’re watching real? Was it really filmed where and when it says it was? Is it being shared by alt-right trolls or a swarm of Russian bots? Was it maybe even generated with the help of artificial intelligence? (Yes, there are systems that can create increasingly convincing fake videos.)

Or let’s say you were the one who posted that video. If so, is anyone even watching it? Or has it been lost in a sea of posts from hundreds of millions of content pro­ducers? Does it play well with Facebook’s algorithm? Is YouTube recommending it?….

Here’s how this golden age of speech actually works: In the 21st century, the capacity to spread ideas and reach an audience is no longer limited by access to expensive, centralized broadcasting infrastructure. It’s limited instead by one’s ability to garner and distribute attention. And right now, the flow of the world’s attention is structured, to a vast and overwhelming degree, by just a few digital platforms: Facebook, Google (which owns YouTube), and, to a lesser extent, Twitter.

Read the post on Wired

750px-zuck_xijinping

@BekiHill: Max Schrems is back: Facebook, Google hit with GDPR complaint

Max Schrems, the thorn in Facebook’s side, has returned to launch the first challenges under the EU’s new data protection laws.

The complaints, filed on the day Europe’s General Data Protection Regulation (GDPR) comes into force, take aim at what he describes as Google and Facebook’s “forced consent”.

Under the GDPR, when users are asked to consent, they should be given a free choice – and it should not be a condition of using a service.

But Schrems’ complaints argue that the consent boxes popping up on the screens of users of Google, Facebook and their affiliates does not meet this standard.

The four separate filings (all PDFs) are against Google, Facebook and two Facebook-owned businesses, Instagram and WhatsApp.

They dangle the 4 per cent of annual turnover fines as a maximum possible penalty – €3.7bn, €1.3bn, €1.3bn, and €1.3bn, respectively – though regulators have stressed they won’t be handing out the top level fines willy-nilly.

Read the post on The Register

YouTube/Amazon Fight: Tone Deaf Google acts like it’s their videos

Your margin is my opportunity.  Now bend over.

Inspired by Jeff Bezos

If a record company pulled your music from a retailer because of a commercial dispute that had nothing to do with you or the label itself, how would that make you feel?  If you ran to your contract to see if you could stop them, do you think anyone would have ever thought to negotiate protection against anything so philistine? This little life parable shows you why you should never underestimate the highly innovative monopolists forcing their way into our lives.

According to Bloomberg:

Alphabet Inc.’s Google pulled support for its YouTube video service from Amazon.com Inc.’s streaming-media devices, citing the internet retailer’s failure to make Amazon Prime Video available through Google’s gadgets and the recent halt of the sale of some Nest products on its website.

What’s interesting about YouTube’s behavior is that you would think that YouTube actually owned the videos on YouTube.  Which in probably 99% of the cases, they do not.  (It’s unclear if the Amazon boycott includes Vevo, the premium content provider co-owned by Google, but I would assume it does.)  I’m no fan of Amazon, God knows, so I’m not suggesting that YouTube’s move here is hard on Little Jeffie, the destroyer of worlds.

I’m suggesting that it is hard on artists and is not something that any other distributor would think they could get away with.  And the fact that YouTube exists to screw artists and songwriters doesn’t excuse YouTube’s tone deaf wielding of other people’s property to gain a commercial advantage against Amazon accruing almost entirely to Google.  So what did Google do, exactly?  Bloomberg tells us:

Google blocked YouTube access via the Echo Show, Amazon’s smart speaker with a touchscreen, on Tuesday and will stop supporting YouTube on Amazon’s Fire TV set-top box on Jan. 1. In a statement, a Google representative said it’s taking the action because the YouTube apps on Amazon products aren’t made by Google, like the YouTube app on the iPhone is, and the retail giant doesn’t sell some Google products, such as Chromecast and Google Home.

“We’ve been trying to reach agreement with Amazon to give consumers access to each other’s products and services,” Google said in a statement. In its own statement, Seattle-based Amazon said its gadgets now send users to the YouTube website, and the company hopes to resolve the dispute as soon as possible.

In other words, Amazon stopped carrying totally unrelated Google products and Google responded by blocking your videos from Amazon devices.  Did anyone ask you if that was OK?  According to the Verge:

Three months ago, YouTube pulled its programming from Amazon’s Echo Show device — the first skirmish in what is apparently an ongoing war. Shortly after, Amazon stopped selling the Nest E Thermostat, Nest’s Camera IQ, and the Nest Secure alarm system. Two weeks ago, Amazon got YouTube back on the Echo Show by simply directing users to the web version, a workaround that left a lot to be desired. But even that version won’t be available after today.

In other words, this boycott of the billionaires has nothing to do with any YouTube artist or Vevo artist, but all are being harmed by it for reasons they have no control over.  You might, however, be able to file a complaint with the Federal Trade Commission against Google and possibly both Google and Amazon by clicking here.

@andreworlowski: Lucky Canada. Google chooses Toronto as site of posthuman urban lab. Town has an API, but no cars

[Editor Charlie sez: Welcome to the Goo town–the end of privacy.  This is how they force you to get rid of independent travel.]

You load sixteen tons, what do you get
Another day older and deeper in debt
Saint Peter don’t you call me ’cause I can’t go
I owe my soul to the company store

16 Tons, written by Merle Travis

Alphabet’s Sidewalk Labs venture has chosen Toronto as its urban laboratory – one in which humans may ultimately be optional.

Sidewalk CEO Dan Doctoroff has fantasised how convenient a city would be without people.

Google won’t take over the entire city – at least not just yet. It’s opted to redevelop 12 acres of the the city’s waterfront, with 800 acres sitting idle next door – a space the size of Venice. Sidewalk describes it as “the first neighbourhood from the internet up” and “a neighbourhood built as an urban innovation platform”, one that will be “a fully Google-fied neighbourhood” in the words of WiReD mag, which admits that there’s an element of “Minority Report” dystopia to the plans.

Data rules in the Googlezone, with everything monitored and analysed. It’s what Google calls “the programmable public realm”.

“Building on a robust system of asset monitoring, Sidewalk can make areas of the public realm reservable for a wide range of temporary uses without impinging on the public’s overall needs,” the company burbles. Following the modern urban prejudice against automobiles, only self-driving vehicles (“taxibots” and “vanbots”) and car-sharing rides will be permitted in the Googlezone. But it will have an API.

Read the post on The Register