Liberty Doesn’t Defend Itself: Complaint in SONA vs. Department of Justice — MUSIC • TECHNOLOGY • POLICY

More to come, but here is a copy of the complaint in the Songwriters of North America, Michelle Lewis, Thomas Kelly and Pamela Sheyne case against the Department of Justice, Attorney General Loretta Lynch and former Google lawyer Renata Hesse asking for declaratory relief on the DOJ’s violation of songwriter Constitutional rights with 100% licensing.

via Complaint in SONA vs. Department of Justice — MUSIC • TECHNOLOGY • POLICY

Download SONA’s legal filing here.

@musicrow: Texas Governor Objects To DOJ Ruling On Fractionalized Licensing

Texas Governor Greg Abbott has formally asked the Department of Justice to reconsider its recent decision regarding consent decrees and fractional licensing.

In a letter to Attorney General Loretta Lynch dated Aug. 29, Gov. Abbott wrote to express his disagreement.

He wrote, in part, “The Texas Music Office is housed within my office and is charged by law with promoting the Texas music industry. As the head of that office, I must object to the DOJ’s position in these cases, which is both legally flawed and threatens to harm the music industry in Texas. I respectfully request that the DOJ reconsider its position.”

Read the post on Music Row

Gadi Oron: Dept. of Justice’s New Decision Could Wreak Havoc on International Rights: Op-Ed

The August 4th decision by the United States Department of Justice (DoJ) not to modernize the consent decrees that govern performing rights societies ASCAP and BMI, and its plans to force a “full-work” licensing model into the market, are the equivalent of an earthquake for the global music community, and most of all for songwriters. It opens a new era full of uncertainty for the music industry.

CISAC, which regroups 239 societies from 123 countries, including ASCAP, BMI, SESAC and AMRA in the United States, has been monitoring the evolution of the licensing ecosystem in the US with much concern. Because of the size of the US market and its influence in the world, any changes in the way our US members operate has consequences for sister societies, songwriters and music publishers worldwide.

We had high hopes that the DoJ would have taken these factors into account and come up with solutions to ensure a better, more efficient licensing system in the US in its two-year review of the ASCAP and BMI consent decrees. Yet for some reason the much-needed reform of the US licensing landscape took a wrong turn at the expense of creators, music publishers and their societies.

Read the post on Billboard

Watch this Space: MTP Podcast on 100% Licensing with Michelle Lewis and Kay Hanley of Songwriters of North America, David Lowery, Chris Castle coming soon

Next week we will continue discussion of the Department of Justice [sic] ruling on 100% licensing and partial withdrawals from the songwriter’s point of view. Participants will be songwriters Michelle Lewis and Kay Hanley of Songwriters of North America, David Lowery and Chris Castle. Watch this space for links to the podcast when it is completed, probably August […]

via Watch this Space: MTP Podcast on 100% Licensing with Michelle Lewis and Kay Hanley of Songwriters of North America, David Lowery, Chris Castle coming soon — MUSIC • TECHNOLOGY • POLICY

DOJ 100% Licensing Rule: An UnFair Tax on Hip Hop and Works With Samples? — The Trichordist

Let’s look at the implications of the DOJ 100% rule for the writers of the 5th most popular Hip Hop Song in the US this week. These are the four samples in For Free, by DJ Khaled featuring Drake. Each of those sampled songs also has multiple writers. Consequently the list of writers for […]

via DOJ 100% Licensing Rule: An UnFair Tax on Hip Hop and Works With Samples? — The Trichordist