[Editor Charlie sez: Read this interview and it will but some beauty in your day.”
It still comes as a shock to some people that The United States is the only democratic country in the world where artists don’t get paid for AM/FM radio airplay. Stations are allowed to broadcast my music, without my permission, and without paying me. I’m not sure what your definition of “stealing” is, but that’s mine.
My best advice is to remember that copyright is a human right, supported by reason, history, and the United States’ Constitution. That like all human rights, it’s worth fighting for––even in the face of seemingly hopeless odds. The corporate and unethical forces applying downward pressure on artists’ ability to make a living may seem invincible at times, and the downward trajectory may feel inevitable. But it isn’t. Their side is only fighting on behalf of greed. We’re fighting on behalf of justice, and truth, and for an elemental part of what makes each of us human.
Read the post on Unite4Copyright Creator Spotlight with Blake Morgan
Excellent debunk of the same old “copyright is a monopoly” whine we hear from the true monopolists in Silicon Valley.
For all these years, most of us have been playing Monopoly wrong.…What’s interesting, though, is how it came to be this way. It’s simple really: “no-one ever actually reads the rules of Monopoly. Monopoly is something you learn through word-of-mouth in childhood.” That’s right, since the game was released in 1935, we’ve all been playing a massive intergenerational and international game of telephone which resulted in wide-scale confusion. And if that’s not enough, I have news for you:
…that’s not the only thing a lot of people are getting wrong about monopoly.
But this time, I mean the economic concept. It’s an argument that every copyright nerd has heard… (and we all know to expect it in any dialogue with “copyright skeptics”). Here’s the short version: “Monopolies are bad. Copyright is a monopoly. Copyright is bad.” As it turns out, this argument, which appears – at least to the unsuspecting novice – to be a basic exercise in deductive reasoning, is in fact a logical fallacy.
Read the post on Copyright Alliance.
It’s generally well known by those following copyright issues, that the U.S. Copyright Office is engaged in a study of Section 512 of the Digital Millennium Copyright Act (DMCA), the provisions of the Copyright Act that provide for (among other things) the notice and takedown process and Online Service Provider (OSP) safe harbors.
Unfortunately, one group – Fight for the Future (FFF) – seems to be doing its best to disrupt and derail the Copyright Office’s efforts and to make people think that the process is “rigged against the public interest.”
For example, during the Copyright Office’s request for written comments period, they, along with YouTube channel ChannelAwesome, orchestrated a last-minute campaign in which they urged their followers to protest DMCA abuse by submitting comments to the Copyright Office which were generated merely by clicking on the “I’m in” button at www.takedownabuse.org. While they did suggest that submitters could alter the model comments on the site, in fact relatively few actually did. (I should point out that the site no longer provides model comments.)
The campaign resulted in so many comments being submitted in such a short period that it crashed government servers and made it very difficult for interested parties to review all the comments. FFF could have notified its followers earlier so that the comments were not submitted at one time. Better yet, since virtually all the comments were identical, they could have simply submitted a petition with 80,000 or so names included, rather than 80,000 identical submissions that crashed the system.
More recently FFF posted a blog that misrepresented the two-day section 512 roundtable discussion that occurred in San Francisco in an effort to get its followers upset enough to rail against the process, the Office and others, like the Copyright Alliance, who simply do not share many of FFF’s views. I know because I was there.
Read the post on the Copyright Alliance site.