Testament frontman Chuck Billy recently shared some depressing thoughts on Spotify and music streaming in general.
The band joined music streaming platforms despite believing that artist royalty payments are too low. During an interview on Underground Australia, Billy was asked to share his thoughts on the digital age. The answer was mostly a tale of gradually giving in after years of sinking monetization on digital platforms.
RikiMusic is pirating dozens of articles from Hypebot as well as allegedly uploading tracks from indie artists to Spotify and Amazon Music without authorization….
Caleb Jackson Dills, who first wrote about the music theft for Artists Rights Watch, also noticed that the content on the RikiMusic blog looked familiar.
Virtually all of the dozens of posts on the RikiMusic site were pirated directly from Hypbot.com and illegally published verbatim without attribution.
[Editor Charlie sez: We often talk about how Big Tech uses our music as a data honeypot that allows platforms to learn all kinds of psychographic data about us. In fact, Spotify playlists are in buckets based on psychographic segmentation for this very purpose. Now we see what they do with all this data scraping. Spotify is tying your data it tracked scraped from its music streaming dominance to gain an advantage selling a tied product. Spotify uses the artist’s music as a honeypot to track and scrape your data to boost tracking and scraping your data from the podcast honeypot.]
Spotify is going to start using its copious amounts of user data to run targeted ads inside its exclusive podcasts. Targeted advertising remains new ground for podcasts, and the announcement sets Spotify up to potentially branch out beyond its own shows and begin placing ads in other networks’ content. If it catches on, Spotify could become a full-blown podcast ad network.
With technology it’s calling Streaming Ad Insertion, Spotify says it’ll begin inserting ads into its shows in real-time, based on what it knows about its users, like where they’re located, what type of device they use, and their age, similarly to how the broader web operates. Spotify already automates dynamic ad insertion on the music side of its business, it’s now expanding and improving that tech for podcasts.
“This planned violation of privacy by Spotify is a huge reason to stick with @Applefor podcasts. Ads in podcasts are fine with me, and I’ve even bought products advertised on some of my favorite shows. Ads based on vacuuming up my private info aren’t OK.”
…there was lunch in the larger, first floor cafeteria where, in the corner, on a small stage there was a man, playing a guitar, who looked like an aging singer-songwriter Mae’s parents listened to.
“It is,” Annie said, not breaking her stride. “There’s someone every day. Musicians, comedians, writers….We book them a year ahead. We have to fight them off.”
The singer-songwriter was signing passionately…but the vast majority of the cafeteria was paying little to no attention.
“I can’t imagine the budget for that, ” Mae said.
“Oh god, we don’t pay them.”
The Circle, by Dave Eggers
The New York Times teased their reporting today by Andy Newman on “canning” entitled “Making ends meet, five cents at a time.”
In New York City, a shadow economy has sprouted up around recyclable bottles and cans. Dionisia Rivera, above, sells the items she collects on the Upper East Side.
Our reporter takes you inside the world of “canning,” which provides a lifeline to thousands as stable low-skill jobs disappear in the city.
“Five cents a time”? Really? That’s at least 10x more than a Spotify stream. Maybe we’re in the wrong business. In fact, maybe we should be in the business of canning at Spotify’s palatial offices in the World Trade Center.
It’s kind of amazing that Spotify doesn’t have “Cans for Musicians” as part of their extensive recycling program. You know, help them musos get their side hustle on.
It may be the only thing green about streaming.