Steve Tepp: Public “Selective” Knowledge II: This Time It’s Personal

Public Knowledge has launched unprecedented and unfounded attacks on the widely respected Copyright Office in a transparent bid to bully, berate, and discredit that Office in furtherance of the drastic policy goals PK has failed to achieve for decades. That may sound harsh, but the statements coming from PK in recent weeks are so outrageous and so far afield of what constitutes reasonable discourse that they demand a forceful response. PK has led a relentless campaign that portrays reasonable policy differences as evidence of impropriety. Apparently, they are unable to imagine that anyone could, in good faith, disagree with their orthodoxy. This is compounded by a Stalin-esque recounting of history, both tortured and selective, in an attempt to support their absolutist approach.

Public Knowledge has launched unprecedented and unfounded attacks on the widely respected Copyright Office in a transparent bid to bully, berate, and discredit that Office in furtherance of the drastic policy goals PK has failed to achieve for decades. That may sound harsh, but the statements coming from PK in recent weeks are so outrageous and so far afield of what constitutes reasonable discourse that they demand a forceful response. PK has led a relentless campaign that portrays reasonable policy differences as evidence of impropriety. Apparently, they are unable to imagine that anyone could, in good faith, disagree with their orthodoxy. This is compounded by a Stalin-esque recounting of history, both tortured and selective, in an attempt to support their absolutist approach.

In a new “report” released last week, PK levels the severe charge that the Copyright Office is systematically captured by industry interests. They begin to try to support this by asserting a “revolving door” between the Office and copyright industries. But their evidence fails to support the claim, and they leave out many facts that are inconvenient to their biased narrative.

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